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literature naive.

Dirigo rather to the fact that my hopes can (scil. awareness caused by the literature) to transform the reception of literature from a passive process to a process "active". This is particularly the case where a literary text leads his readers to write themselves. Because of course all know how to write, as everyone knows about. The fact that so many talk about but few actually write is due to a complex system of intimidation, ranging from spelling lessons in elementary school to the history of literature that has been studied, with its poets ever "great" to certain beliefs unshakable as the taboo of discussing positive. Therefore it is desirable that literary education is proposed as a first objective of producing the courage to write, to turn readers into writers (writers do not say intentionally, or poets) and through this awareness. To put it otherwise, we lack a literature "naive" as to time, the visual arts, on both sides of any theory is a naive painting. Naive painting has deservedly found in recent years an increasing consideration and careful observers of this phenomenon, spread unevenly around the world, noted with astonishment that this activity apparently spontaneous artistic talents are in abundance. They only come to light if there is someone who makes their courage and take away their fear spontaneous expression. In fact, for this task naive, it's not important to the value "artistic" market the product or sentimental, but primarily the refining capacity to experience and express, which means at the same time one of the few convincing definition of the position of the individual, isolated in an environment that is becoming increasingly confused.
What can be naive to painting, then, should be accessible at least equally to a literature naive. We should expect major difficulties in the market. Some publishers are cas specialzzeranno naive in literature, just as there are special galleries for painting naive. And if the printed edition should not be profitable, the prestige printing the book you can safely leave to the literature and still remains high: photocopy and print rotaprint meet the equally naive view. It can also form groups _ even this shows us the further comparison with the naive painting-in which can circulate literature naive: even so, you prevent the retreat into interiority. This sketch of literature that would broaden considerably the extent of the expressions written in a literary utopia is of course appreciated. But not great. only a small autopia that its realization is part of what is possible here and now, has proved ... "
Harald Weinrich, Sublime and humble in the literature, in "Metaphor and Lies", 280-282, (trad. it. 1976) Il Mulino, Bologna.